Georgian Art Platform
Contemporary art from Georgia, Caucasus.
22.1.15
29.12.13
UNLIMITED ABILITIES
In December Women’s Fund
and art organisation Geoair have held an exhibition Unlimited
Possibilities. The tandem of the two organisations might be surprising for
the people who do not know the Geoair well enough. A team of enthusiasts aim at
tackling the social problems with the help of art. Their 10 years old biography
is full of exciting projects directed at awakening the Georgian society. Hence,
the very last one was not an exclusion. The Women’s Fund had found several
women with different disabilities willing to get qualification and start a
career. The exposition put together by the Geoair team was composed of artists who
agreed to donate their work for such an important cause. This act of charity is
particularly important, as the raised money won’t be a singular help, rather a
means of putting these women back into the reality of the country. Moreover, it
acts as a great precedent for other people who thought they were destined for a
lifetime in the dark of their apartments. Unfortunately, this is the grim reality
of Georgian life for people with disabilities in there. As Nino Chubinishvili,
one of the participating artists has cleverly noted, the society that
shuts these people is disabled and dysfunctional rather than these people.
Juna Godishvili, 31
Juna wants to advance her knowledge of English and then tutor the
elementary school children. She has completed the accounting and computer courses
and has an experience of working in various NGOs, even though having a Marfan
syndrome.
Marina Gogoberishvili has been in a
wheelchair for some time already; she has met her husband (also in a
wheelchair) in the rehabilitation centre. They have a daughter together. Already
in a wheelchair, Marina entered the faculty of physics and mathematics in the
university and later transferred to the faculty of fine arts. Last year she participated in the beauty contest where
a girl in the wheelchair made her hair and make up.
Levan Mindiashvili
Levan Mindiashvili
Nana Samushia is 26 and she is the member of “Woman and Reality”. By profession she is a designer. Nana
is diagnosed with the total monoplegia of the upper right limb. Nana sews,
embroiders, knits, paints. Ana Zakhvatova and Natela
Gamidova are also members of “Woman and
Reality” and are among those people who wish to learn Knitting, embroidery and
sewing. Ana has the left lower limb poliomyelitis and Natela has the spine
trauma.
These women are heroes that despite the
indifference and negligence on behalf of society do not lose the optimism and
still manage to look forward to future.
Geoair has contacted the artists they
cooperate with and find interesting; some of them are quite well known and
widely admired (Yuri Mechitov, Karaman Kutateladze, Mamuka Japaridze)
Lado Pochkhua and Murtaz Shvelidze have donated art from their recent exhibitions.Others, like Luka Akimidze are the newcomers to the field. The
project has its website where the story of these women as well as the catalogue
for the art is available. It is also possible to purchase the art online, which
for Georgia is yet another innovatory idea. The art enthusiasts are given a
chance to buy some amazing art for quite reasonable prices and also feeling
their social responsibility fulfilled. The sale will go on for a month.
Moreover, it is a great innovation for the
Georgian art market to have an opportunity to shop online for art. I sincerely
hope any of the local galleries adopts the idea and starts selling online.
Some of the art from the catalogue:
Nino Sekhniashvili
Kote Sulaberidze
Mariam Sitchinava
Kote Jincharadze
Nino Chubinishvili (Chubika)
HERE IS THE LINK FOR THE PROJECT, THERE YOU CAN FIND THE INSTRUCTIONS FOR PURCHASING ART: http://unlimitedabilities.wordpress.com/
13.12.13
My Effort to Follow the Footprints
‘I
BELIEVE ONE CAN DEVELOP ANYWHERE GIVEN THEY WANT TO,BUT THE WAVELENGTH YOU DECIDE
TO STAY ON DEPENDS ON YOU’-Elene Rakviashvili
Elene
Rakviashvili’s performance commissioned by cARTveli Foundation was brought to London,
first showing at the Georgian Christmas Fair and then at the White Cube,
Mayfair.
Elene Rakviashvili, trained painter, works
on performances, video art, photography, installation and public art. Based in
Georgia, the focus of her art is the society and themes having a particular
significance locally. Georgia is inexhaustible source of inspiration for the
artist and according to her the environment is so complex, diverse and exciting
she would never move to other countries. Elene has a very peculiar attitude
towards life seeing all the obstacles and disadvantages as the challenges and
actually key to her successful career in art. The first happening was also born
out of the desperate reality of the 90s Tbilisi engulfed in fear of the ambiguous
future. People exiting the underground (one of the few places having
electricity) were taken by surprise seeing the brightly lit street with the
images shining on the walls. Driven by the intense desire to cheer and give
hope to the confused, disoriented and depressed mass, Elene was personally
greeting everyone exiting the underground. More than 10 years after the first
performance the artist jokes some of her friends still expect her to stop
fooling around and start painting.
Academically trained, Elene has
managed to escape its daunting restrictions and find herself as a performance
artist. Instead of limiting her the artist says it has helped a lot when
working in multimedia especially in terms of composition, teaching the
discipline and accuracy, making her perceptive and diligent. Elene closely
observes her surroundings and picks up on the most problematic issues. Her art
revolves around the social themes, questions about identity, gender and tradition.
Seeing the potential of art to change the whole epoch and the standpoint of the
whole society, Elene fully understands the importance of its engagement with
social questions. Disapproving the non-existent spirit of togetherness in the
creative circles, the artist also does not like the local indifferent audience,
who was way more receiving and participating in 90s.
Her art always draws parallels with the
European values with the aim of resurfacing some of the most problematic
aspects of Georgian mentality. She works and thinks a lot about broad concepts
such as Georgian national identity, as well as specific historical events. The
artist masterly incorporates the distinctive nature of Georgia, being at the
crossroads of Asian and European cultures. In order to grasp the roots of some
of the most perpetuating stereotypes and perceptions, she often time-travels
with her art.
In the performance My effort to
follow the footprints Elene in the national
costume, hesitantly approaches the Qvevri, traditional wine making vessel, and
tries to squeeze into one of them. In the process she takes off the clothes in
order to accomplish the impossible task. Taking off the dress she is left in a
plain, monochrome costume- faceless, uniform and boring compared to the
national dress. Trying to somehow adjust the Qvevri, she breaks it. Then
hugging the fragments she tries to get the pieces together. Finally comes the
realisation- it is impossible to squeeze through the Qvevri or mend what has
been broken. Regretting, with her head down, she ends the performance. It is
quite characteristic for the Georgian society to incorporate the foreign habits
into its environment flatly. It looks as forced, unnatural and illogical as
trying to fit into a piece of pottery. The allegory of Qvevri is a clever
choice, because usually very traditional and very distinctively Georgian
customs go through these modifications. ‘The influence of the dominating
countries has always been present in Georgia. However, a lot of things get lost
in attempt to Europeanize the society- traditions, self-awareness, identity’-
remarks the artist.
Ironically, Elene Rakviashvili belongs to the small group of Georgian artists who manage to maintain their distinctiveness and at the same time correspond to the European trends and developments in art; and this is so organic, not a bit is forced.
The performance was brought to London by
the non-profit foundation ‘cARTveli'. The collective of Ekaterina Moniava,
Elizabeth Chachkhiani and Tereza Kandelaki want to promote the Georgian
contemporary art abroad. A product of their inexhaustible enthusiasm, it is a
series of pop up shows concentrating on some of the most exciting names.
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